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QUEEN MERYL

THE ICONIC ROLES, HEROIC DEEDS, AND LEGENDARY LIFE OF MERYL STREEP

An enthusiastic homage to a legend.

Meryl Streep, actor, wife, mother, and feminist spokesperson, has had a sensational career.

With 21 Oscar nominations and three wins, along with multiple international acting awards, Streep can aptly be called Queen Meryl, the most celebrated actor in America. Entertainment journalist Carlson (I’ll Have What She’s Having: How Nora Ephron’s Three Iconic Films Saved the Romantic Comedy, 2017) gleefully recounts Streep’s career from her earnest performance as the Virgin Mary in a family Nativity play (she was 6) to her acclaimed roles in The Devil Wears Prada, Iron Lady, and The Post. As a student at the Yale School of Drama, Streep stood out for her ability to create complex characters, and she was often cast in Yale Repertory Theatre shows—while holding down off-campus jobs to pay her tuition. After graduating at 26, she immediately became “a Broadway starlet,” Carlson discovered, thanks to the support of Joe Papp, founder of the Public Theater. Her film career took off in 1977 when she was cast in Julia, a drama starring Jane Fonda. Fonda encouraged Streep to improvise and also “imparted an object lesson in kindness” that inspired Streep’s generosity to her less experienced co-stars. Drawing on a copious number of articles, reviews, profiles, and interviews as well as archival material and a previous biography of Streep, Carlson creates a mostly engaging, deeply admiring chronicle of Streep’s life: her long marriage to sculptor Don Gummer, motherhood, sometimes unexpected role choices, friendships, political activism and views, and the movie synopses, production anecdotes, and reviews that document Streep’s prolific acting career. Although she was highly praised for most of her work, some dissenting voices emerged in the 1980s. “Streep can come off like a piece of fine china, white, hard, perfect,” one critic wrote. She never felt perfect, she admitted, but most of the time, she felt confident. “Usually I think I can play anything,” she told an interviewer in 1980. “I have great faith in myself.”

An enthusiastic homage to a legend.

Pub Date: Sept. 24, 2019

ISBN: 978-0-316-48527-2

Page Count: 288

Publisher: Hachette

Review Posted Online: June 29, 2019

Kirkus Reviews Issue: July 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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