HOUSE OF ROOTS AND RUIN

In an extravagantly gothic follow-up to House of Salt and Sorrows (2019), Verity, 17, is snared in both a romantic dilemma and a hideous research project.

Prompted by a commission to paint the portrait of 19-year-old Alexander, scion of the refined ducal house of Bloem, Verity defiantly escapes the cloistered life forced on her by overprotective big sister Camille—only to find herself caught up in a web of secrets and lies complicated by the tried-and-true conflict of having to choose between kind, gentle, Alexander, who uses a wheelchair, and a dangerous but excitingly hot rival for her interest. Along with providing a lavishly decorated country house stocked with lush floral gardens, secret passages and stairways, and a hidden library of erotica for a setting, Craig lavishes her doorstopper with lurid elements, including references to a curse, madness, and feelings of dread; mysterious screams in the night; and encounters with ghostly apparitions. More disturbing still are eventual revelations that Alexander’s seemingly rational botanist father’s research hasn’t entirely been confined to the greenhouse. Overall, the tale well serves both readers who thrill to bloody, onstage murders and visions of body parts in jars as well as those left breathless by watching relationships heat up. Alexander’s mother has brown skin, and his father is White; Verity reads White.

Steamy, suspenseful, and sensuous.