by Erin Elizabeth Eyer ‧ RELEASE DATE: Dec. 1, 2019
An uneven but impactful portfolio of work across genres from an inventive creator.
An artist and writer offers painting, pottery, and poems reflecting her autistic worldview in this collection of verse and art.
The visual arts have long been a source of release and exploration for Eyer, based on Washington state’s Whidbey Island. As she explains in her introduction, “We autistic people develop love through visualizing every object as we wish it to be, pottery clay and color folds and molds as values touch and materialize.” Her paintings are generally abstract, though they evoke the wildness and dynamism of the natural world, as in the reds and yellows of “Mt. Rainier in Fall.” The sculptures are often figurative—dogs, iguanas, human faces—though these sometimes, too, are less definable, recalling the mix of organic and inorganic forms of ancient objects recovered from the sea floor. A blend of the natural and the human is also found in the poems, like “Realize Life’s Freedoms”: “Seas swell sad when a quiet afternoon yields way to death / From reasons each wave ascends and crashes.” The poems, written in both prose and free verse, explore topics like womanhood, friendship, God, and the passage of time. The poetry tends to be a bit overwrought, as in the prose poem “Eventide”: “Only fascinating hate underlies it all. Just think there is no sense in symphonies by God conducting concerts lost in destiny’s noiseless ears.” But the art—the paintings, in particular—displays a tremendous amount of vision and control. The deconstructed landscapes of the eruptive, green-dominated “Spring” and the pine-forested “Memories of Beauty” and “River Serene” manage to stir and calm at the same time. Eyer shows her humor in works like “Bee Careful” (which features a swarm of splotches reminiscent of honeybees) and her powerful sense of composition in the dramatic, mournful seascape “Lost Haven.” Taken together, the works demonstrate Eyer’s highly impressionistic and idiosyncratic perspective—just the sort of viewpoint an artist should have. The color and texture of words as well as paint provide the necessary intensity to give voice to her experiences and emotions. It’s an intensity that readers will carry away with them.
An uneven but impactful portfolio of work across genres from an inventive creator.Pub Date: Dec. 1, 2019
ISBN: 978-1-73496-020-4
Page Count: 90
Publisher: Self
Review Posted Online: Feb. 15, 2021
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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