A puzzler that is both brainy and full of satisfying narrative brawn.
A clairvoyant with a secret past visits a town to assist a missing person investigation and finds herself navigating even more mysteries than she bargained for.
“Every space was haunted by something,” muses Mary, the protagonist of Ryan’s inventive debut. It is Bladen County, North Carolina, in 1961, and Mary, a White New Englander, has arrived clutching a MISSING poster of Polly Starking, a local White girl who has disappeared. Mary is there to work: She has “the Sight,” and her particular psychic ability manifests in visions of missing girls. But her desire to help is only partly based on altruism. Alone, unmarried, and running from her former life, she desperately needs the reward money from cases like Polly’s. The townspeople blow hot and cold about Mary’s presence: They desire her help at the same time they deeply mistrust her. As the sheriff attempts to get Mary to leave, Mary encounters Martha, a Black motel maid who is willing to help Mary navigate her day-to-day needs for food and shelter (as well as the nuances of the Jim Crow South) if Mary will use her abilities to find two other missing girls the town isn’t talking about—two Black girls, Evie and Jack, who are in a romantic relationship. Based on the real-life disappearance of Bennington student Paula Jean Welden in 1946, Ryan’s novel takes up what true-crime aficionados would call the “less dead”: victims of violence or missing people from marginalized communities who fail to garner the same attention as idealized victims—namely, straight young White women. Ryan takes a meta approach here; the novel is as much about the way we mythologize this type of missing and murdered victim as it is a twisty mystery about Mary’s hunt for Polly, Evie, and Jack.
A puzzler that is both brainy and full of satisfying narrative brawn.Pub Date: March 8, 2022
ISBN: 978-0-593-13343-9
Page Count: 272
Publisher: Random House
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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