Fifty-three gems that demonstrate all the things a short story can do. Wow.
How can stories this brief be so satisfying?
The travails of Patsy Cline’s personal assistant and those of Ava Gardner on a rare visit to her hometown. Of a chorus member in a high school production of West Side Story, a bridal store clerk, a rapist’s daughter, a self-pitying stalker. A pair of stories narrated by an accidental murderer and the mother of the child he killed; a trio that explore the relationship between a woman dying of cancer, her husband, and a not-very-close friend who has appointed herself head caretaker. A hilarious report from the drummer of an aging rock band on a reunion tour. McGraw’s (Better Food for a Better World, 2013) fourth collection of stories—her seventh book—deals with the profound, the dire, the mundane, and the ridiculous, paying particular attention to relationships between parents and children, siblings, spouses, criminals and their victims. While some stories are meant purely to amuse, many are intense and beautiful. “These times come for no reason and too rarely, days and evenings that quiver like a bee’s wing”: So begins the title story, which deals with the possibility of joy after everything one loves is gone, from a sister whose “pealing laughter used to unfurl all the way across the playground” to an Irish setter who knew how to lick a person’s feet “from ankle to toes, until he’d licked the day away.” The last story, “Prayer,” is just that, a direct address to God that explores the utility of spiritual faith in helping a person resist having an affair with a married woman. “Because you created choice. Because life is an endless success of choose, choose, choose, and eventually we’re going to choose wrong, and then discover you waiting at the threshold of that wrong choice.…Because her husband’s name is Gary, and I have never met a Gary I didn’t like.”
Fifty-three gems that demonstrate all the things a short story can do. Wow.Pub Date: March 5, 2019
ISBN: 978-1-64009-208-2
Page Count: 224
Publisher: Counterpoint
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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