While effusive at times, this manual for women delivers motivational and truly energizing tips.
A highly inspirational lifestyle guide offers advice to women.
The title of this debut is somewhat misleading. The book is not purely a how-to for aspiring network marketers but rather a manual for empowering women to live life their way. In fact, network marketing itself, while always present in the background, seems secondary to Pollinger’s core message: “As women, we can have what we desire.” The author skillfully uses the guide as a platform for demonstrating how her own professional and personal lives have been enriched by deeply connecting with her feminine self. The “feminine principles” she writes about revolve around four “Seasons of Well-Being”: Discover, Awaken, Transform, and Integrate. Pollinger, a chiropractor-turned–life coach and network marketer, weaves together descriptions of each of these phases as she tells her own story, provides examples, and suggests exercises to complete. She encourages readers to become a “Queen,” an effective code for the confident, vibrant, and empowered woman. The volume consists of six chapters that largely address the emotional side of achieving success. The first chapter, “Wombspace,” unashamedly focuses on the distinct differences between men and women, making a case for the womb as the concentrated center of feminine power. The author writes that a woman’s success in virtually all aspects of life “is achieved 40 percent through what I call ‘wombset,’ 40 percent through mindset, and 20 percent through structure.” Subsequent chapters build on and expand this concept, addressing the needs to feel, be, and create. Network marketing is not overlooked. For example, Pollinger describes the daily rituals she consistently applies and the action steps she takes to triumph in her own network marketing business. A refreshingly candid chapter explores strategies for dealing with the sometimes uneasy relationship women seem to have with earning money. Still, the thrust of the book is to supply a kind of emotional safety net to women. In this regard, the author is the supreme cheerleader, intermittently gushing, egging readers on to strive, succeed, and thrive in all aspects of life. In her view, every woman has the ability to become a “network marketing queen.”
While effusive at times, this manual for women delivers motivational and truly energizing tips.Pub Date: Jan. 17, 2020
ISBN: 978-1-5445-0640-1
Page Count: 158
Publisher: Lioncrest Publishing
Review Posted Online: Feb. 24, 2020
Kirkus Reviews Issue: April 15, 2020
Review Program: Kirkus Indie
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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