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A DARKER WILDERNESS

BLACK NATURE WRITING FROM SOIL TO STARS

A well-curated assemblage of Black voices that draws profound connections among family, nature, aspiration, and loss.

A unique collection of nature writing focused on Black experience and memory.

This book is a response to the absence of Black literature about attachment to the American landscape, a multigenerational dwelling place that is both internal and external. An abundance of relevant themes emerge: home as refuge, seeking freedom amid social oppression, gardens as healers, and the complex history of Black landownership. Opening with an irony that casts its shadow on the pages that follow, Sharkey describes a youthful photo of her mother “kneeling by a pond on a twelve-acre property in New York that she and my father will never own, but that will become their legacy.” Attachment does not equal possession, and Sharkey’s own quest for “home” becomes all-consuming, extending to the realm of nature writing that “has been dominated by white, cisgender men with access to resources,” from Thoreau to Audubon, Abbey to Pollan. These essays hit from refreshingly different angles. Birder Sean Hill juxtaposes his life to that of Austin Dabney, a Revolutionary War soldier rewarded with land grants and freedom (at least from slavery). Alexis Pauline Gumbs connects her life to that of “Black feminist speculative nature poet” Audre Lorde. The more academic essays are the fruit of archival research, though Sharkey reminds us to be attuned to “the racist structures in place in the institutions of memory.” Lauret Savoy provides ample illustrations of American place names that are “not innocent, passive, or neutral.” Similar in approach and spirit to Tiya Miles’ All That She Carried, these selections are written in response to artifacts, with the exception of Ronald L. Greer’s “Magic Alley,” which lyrically depicts the beauty and horrors of a Detroit neighborhood through the eyes of a child, a place where “the people who used the powdery substance alchemically transformed it to a liquid, then used a needle to escape to another dimension.”

A well-curated assemblage of Black voices that draws profound connections among family, nature, aspiration, and loss.

Pub Date: Feb. 14, 2023

ISBN: 9781571313904

Page Count: 312

Publisher: Milkweed

Review Posted Online: Nov. 28, 2022

Kirkus Reviews Issue: Dec. 15, 2022

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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THE MESSAGE

A revelatory meditation on shattering journeys.

Bearing witness to oppression.

Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”

A revelatory meditation on shattering journeys.

Pub Date: Oct. 1, 2024

ISBN: 9780593230381

Page Count: 176

Publisher: One World/Random House

Review Posted Online: Aug. 2, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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