A wickedly funny rom-com about the power of second chances, family, and love.
A small-town witch is forced to make magic with the man who broke her heart when his return sets a series of supernatural disasters in motion.
Nine years ago, Vivienne Jones decided to get over the boy who'd dumped her in the only way she knew how: by putting a curse on him. Given that it had been a spell performed after copious amounts of vodka, she hadn't placed much stock in its success. But when Rhys Penhallow finally reappears for the annual fall festival in Graves Glen, Georgia, home to both witches and ordinary people, Vivi begins to sense that her breakup hex might have worked a little too well. In the beginning, it's easy for her to dismiss some wacky occurrences as pure coincidence, but after Rhys invites her to help him magically recharge the town's secret ley lines and the spell goes terribly wrong, they realize they have more problems on their hands than a mere curse. Now, Graves Glen is threatening to fall into total chaos, with problems ranging from possessed wind-up skulls to a talking cat to a very unhappy library ghost. It doesn't help that as far as Vivi's attraction to her ex is concerned, it's almost too easy for her to fall right back into the past and all her old feelings. Putting out small magical fires around town is one thing, but the more often Vivi and Rhys have to put their heads together to solve this mess, the more tempting it is to see if they can pick up where they left off nine years ago—if Vivi can ever forgive Rhys for breaking her heart. Although the story's resolution may feel a bit hurried, Sterling's novel is ultimately crisp and sweet, like biting into the perfect caramel apple, and makes for an equally delicious autumn treat that will sweep readers up into a world of whimsical magic.
A wickedly funny rom-com about the power of second chances, family, and love.Pub Date: Oct. 5, 2021
ISBN: 978-0-06-302747-3
Page Count: 320
Publisher: Avon/HarperCollins
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
BOOK REVIEW
BOOK REVIEW
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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