A passionate, memorably presented manifesto for healing.
Williams examines the disparities in the American health care system and what it means to experience chronic pain through thoughtful prose and affecting illustrations.
The author reports that 20% of Americans suffer from chronic pain. She is one of them, and her pain lies at the intersection of trauma, alcoholism, ulcers, heartburn, and more. Despite the endless doctors’ appointments and prescriptions, “I still live without meaningful relief or medical consensus.” Sadly, this experience is common for many of the 50 million Americans who deal with chronic pain. Williams also shows how women, transgender individuals, and people of color suffer disproportionately from the failings of health care professionals. Navigating a system built for white, cisgender men, many other demographics find that their symptoms are confounding or outright dismissed by doctors. Through four case studies and accounts from her many frustrating experiences, Williams applies personal narratives to the statistics, exploring the intersectionality of pain and its mental, physical, and emotional toll. With her prior experience working in oncology, she’s able to view medicine from the perspective of both patient and practitioner. Her empathetic storytelling delivers far more complexity and nuance than a medical diagnosis would offer. Importantly, there’s hope to be found here. In addition to providing an essential recording of suffering, Williams delivers a call to action. With compelling prose accompanied by gorgeous illustrations, she shows us that “art has as much to tell us about illness as medicine does. Pain, like art, isn’t fixed, passive, or inert.” The colorful illustrations are testament to the care that’s required in healing. Medicine is part of that care, but only one part. Care requires more than just clinical evaluations, she writes; it “requires that trauma, whether personal, intergenerational or systemic, is addressed.”
A passionate, memorably presented manifesto for healing.Pub Date: Jan. 23, 2024
ISBN: 9781419747342
Page Count: 256
Publisher: Abrams ComicArts
Review Posted Online: Oct. 13, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.
The chef, rapper, and TV host serves up a blustery memoir with lashings of self-help.
“I’ve always had a sick confidence,” writes Bronson, ne Ariyan Arslani. The confidence, he adds, comes from numerous sources: being a New Yorker, and more specifically a New Yorker from Queens; being “short and fucking husky” and still game for a standoff on the basketball court; having strength, stamina, and seemingly no fear. All these things serve him well in the rough-and-tumble youth he describes, all stickball and steroids. Yet another confidence-builder: In the big city, you’ve got to sink or swim. “No one is just accepted—you have to fucking show that you’re able to roll,” he writes. In a narrative steeped in language that would make Lenny Bruce blush, Bronson recounts his sentimental education, schooled by immigrant Italian and Albanian family members and the mean streets, building habits good and bad. The virtue of those habits will depend on your take on modern mores. Bronson writes, for example, of “getting my dick pierced” down in the West Village, then grabbing a pizza and smoking weed. “I always smoke weed freely, always have and always will,” he writes. “I’ll just light a blunt anywhere.” Though he’s gone through the classic experiences of the latter-day stoner, flunking out and getting arrested numerous times, Bronson is a hard charger who’s not afraid to face nearly any challenge—especially, given his physique and genes, the necessity of losing weight: “If you’re husky, you’re always dieting in your mind,” he writes. Though vulgar and boastful, Bronson serves up a model that has plenty of good points, including his growing interest in nature, creativity, and the desire to “leave a legacy for everybody.”
The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.Pub Date: April 20, 2021
ISBN: 978-1-4197-4478-5
Page Count: 184
Publisher: Abrams
Review Posted Online: May 5, 2021
Kirkus Reviews Issue: June 1, 2021
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
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