Bombeck (When You Look Like Your Passport Photo, It's Time to Go Home, 1991, etc.) is in top form here, detonating snappy one- liners throughout this account of her 40-plus years of marriage. And there are some unusually serious moments as well: the death, at age 33, of a close friend—the first intimation for Bombeck and her husband that life is finite and for real; a late-life and much- wanted pregnancy that ended in miscarriage; the pathos of reversing roles as the author cared for her aging, ailing mother; Bombeck's breast cancer and mastectomy. The author married Bill Bombeck in the 50's. They had three children, and family life was both satisfying and something of a letdown: ``I hid my dreams in the back of my mind. It was the only safe place in the house.'' The dreams were of writing, and a lecture in the 60's by Betty Friedan galvanized Bombeck to ask her local newspaper if she could write a column. Syndication followed, then bestselling books, and, suddenly, the equilibrium of the Bombeck marriage shifted, as Bill, a teacher, held down the home front and Erma jetted off to talk shows, book tours, and speeches. How did the couple survive such a shift? Bill, in his 50s, found something (marathon running) to excel at independent of his wife, while Erma found that ``when the applause died down....I had someone real to go home to.'' The trials of raising teenagers; of grown kids coming home to freeload in order to afford a fancy car; of offspring delaying marriage and childbearing into their 30's, much to the exasperation of prospective-Grandma Bombeck (``If it doesn't happen soon, my grandchild and I will be in diapers together'')—all are described with the author's trademark wit. A few jokes misfire, a few phrases are repetitious. Overall, though, this is as light as a feather—and could float to the top of the lists. (First printing of 500,000)
Pub Date: Sept. 29, 1993
ISBN: 0-06-018322-5
Page Count: 256
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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