A MARRIAGE MADE IN HEAVEN...OR TOO TIRED FOR AN AFFAIR

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A MARRIAGE MADE IN HEAVEN...OR TOO TIRED FOR AN AFFAIR

Name: A MARRIAGE MADE IN HEAVEN...OR TOO TIRED FOR AN AFFAIR
Author: Erma Bombeck
ISBN: 0-06-018322-5

by Erma Bombeck ‧ RELEASE DATE: Sept. 29, 1993

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Bombeck (When You Look Like Your Passport Photo, It's Time to Go Home, 1991, etc.) is in top form here, detonating snappy one- liners throughout this account of her 40-plus years of marriage. And there are some unusually serious moments as well: the death, at age 33, of a close friend—the first intimation for Bombeck and her husband that life is finite and for real; a late-life and much- wanted pregnancy that ended in miscarriage; the pathos of reversing roles as the author cared for her aging, ailing mother; Bombeck's breast cancer and mastectomy. The author married Bill Bombeck in the 50's. They had three children, and family life was both satisfying and something of a letdown: ``I hid my dreams in the back of my mind. It was the only safe place in the house.'' The dreams were of writing, and a lecture in the 60's by Betty Friedan galvanized Bombeck to ask her local newspaper if she could write a column. Syndication followed, then bestselling books, and, suddenly, the equilibrium of the Bombeck marriage shifted, as Bill, a teacher, held down the home front and Erma jetted off to talk shows, book tours, and speeches. How did the couple survive such a shift? Bill, in his 50s, found something (marathon running) to excel at independent of his wife, while Erma found that ``when the applause died down....I had someone real to go home to.'' The trials of raising teenagers; of grown kids coming home to freeload in order to afford a fancy car; of offspring delaying marriage and childbearing into their 30's, much to the exasperation of prospective-Grandma Bombeck (``If it doesn't happen soon, my grandchild and I will be in diapers together'')—all are described with the author's trademark wit. A few jokes misfire, a few phrases are repetitious. Overall, though, this is as light as a feather—and could float to the top of the lists. (First printing of 500,000)

Pub Date: Sept. 29, 1993

ISBN: 0-06-018322-5

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

Categories:

GENERAL NONFICTION

- BOOK REVIEW
FOREVER, ERMA
by Erma Bombeck

- BOOK REVIEW
ALL I KNOW ABOUT ANIMAL BEHAVIOR I LEARNED IN LOEHMANN'S DRESSING ROOM
by Erma Bombeck

- BOOK REVIEW
WHEN YOU LOOK LIKE YOUR PASSPORT PHOTO, IT'S TIME TO GO HOME
by Erma Bombeck

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.