by Ernest Hemingway ‧ RELEASE DATE: May 5, 1964
What we've all been awaiting: the first of Hemingway's posthumous works he began in 1958 and finished in 1960. This is a memoir of his expatriate days in the twenties, and MacLeish's little poem about the young man with the panther good looks who whittled a style for his times in the sawmill attic in Paris comes to life here. What also comes to light is the "inside story," or the very personal revelations, parts of whicy may become a cause scandale. Not only is the Fitzgerald portrait ungenerous, but the disclosures of his sexual difficulties with Zelda are embarrassing. Miss Stein is also victimized, and there are allusions to puzzling perversities. Pound, Ford, Eliot, Lewis and Joyce are around and they are treated with affection, or affectionate malice. The best passages are the descriptive ones— fine writing with all the supple surety of Sun— of bookstalls, cafes, streets, the Seine, race tracks, and travel. And of course there's Hemingway on his wife Hadley, and Hemingway on Hemingway..... Mary McCarthy's famous attack on Salinger scored him for following Papa's special club of OK people (like him) versus the "others" (unlike him). The memoir has something of that snobbery and certain people may go after it accordingly. Still, whatever the indiscretions, it is an important work, a literary source from a master. There can be little doubt of its interest and attraction for many as a reprise of a now legendary time when Hemingway was young and happy and "invulnerable," and a place— well, "There is never any ending to Paris.
Pub Date: May 5, 1964
ISBN: 0684833638
Page Count: 207
Publisher: Scribner
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: May 1, 1964
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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