Next book

SPRING ON THE PENINSULA

A snapshot of a generation hopelessly conscious of their parents’ failures, at a loss as to how to proceed.

Shin’s unforgettable debut novel follows 30-something Kai as he navigates a painful breakup in Seoul.

Spending his evenings drinking in late-night bars and engaging in fleeting affairs with both men and women, Kai attempts to stave off the loneliness that’s hounded him since his partner left. He treks up a mountain in a snowstorm, ill-equipped and overcome with a kind of manic, reckless abandon. He visits his recently separated parents, brooding over their decision to part ways. He trespasses on his brother’s self-imposed isolation in hopes of rekindling their bond. Though his existential angst is poignant, his cynical derision toward others and morally dubious behavior makes him an unsympathetic protagonist. (Several of his sexual liaisons take a decidedly dark turn, forcing the reader to ponder the implications of a power imbalance in the bedroom—and Kai’s capacity for abuse.) Obsessively agonizing over his partner’s desertion, Kai becomes increasingly nihilistic—an ethos shared by his close friends, all of whom are facing their own crises. The perspective occasionally switches from Kai to his various friends, revealing not only their mixed feelings toward him but the toll that loveless relationships, addiction, violence, and warped self-image have taken on millennials. Shin suggests that the thread connecting their suffering is a sense of aimlessness, an inexorable void that none of them seem able to fill. Given that most of the characters are unlikable and the novel’s milieu is relentlessly bleak, the reader can’t be expected to feel a great deal of sympathy for Kai or his friends. But the skill with which the novel is crafted—blurring the distinctions between daydream, fantasy, and reality with lilting, metaphorical prose—is undeniable. Shin reinforces the directionless felt by her characters with a meandering, wonderfully unhurried plot. In the same way, the sense of disorientation prompted in the reader by the book’s shifting perspective and formal experimentation is undoubtedly designed to mirror the uncertainty felt by the characters. Shin masterfully locates the individual struggle to find meaning within a broader discourse, tussling with notions of class, gender, sexuality, generational divides, and war.

A snapshot of a generation hopelessly conscious of their parents’ failures, at a loss as to how to proceed.

Pub Date: April 9, 2024

ISBN: 9781662602221

Page Count: 224

Publisher: Astra House

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WEDDING PEOPLE

Uneven but fitfully amusing.

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 308


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Awards & Accolades

Likes

  • Readers Vote
  • 308


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Close Quickview