A talented author to watch as her narrative technique matures.
The Canadian-born Edugyan’s unrelenting debut finds life—first and second—somber and bleak.
Samuel Tyne is an émigré from Ghana (he prefers the old name, Gold Coast) whose midlife crisis is aggravated by a stifling civil service job in Calgary, under the thumb of two bureaucrats he aptly nicknames Dombey and Son. At home, the atmosphere is even more fraught. Samuel and his wife Maud display less mutual tolerance than their warring ancestral tribes. Their twin 12-year-old daughters, Yvette and Chloe (indistinguishable even to their parents), are bad-seed prodigies. A surprise inheritance from Samuel’s estranged uncle Jacob—a dilapidated farmhouse in the small Alberta town of Aster, once settled by African-Americans from Oklahoma—offers respite, but not for long. No sooner does Samuel reinvent himself as an electronics repair-shop owner and early computer hardware developer (it’s 1968) than the twins rev up the RPMs on their continuous destructive loop. The duo defies all civilizing influences, even the friendship of schoolmate Ama, whom their parents have brought to Aster for the summer. On the social front, neighbor Saul Porter, the last Oklahoman settler and a reputed warlock, is pushing Samuel’s boundaries in more than the real estate sense. Ray and Eudora Frank, the Tynes’ first allies in Aster, have divided loyalties and ulterior motives. Although Edugyan’s spare prose, visceral images, and unfussy dialogue create a suitably ominous atmosphere, the plot advances haltingly and predictably. The family turmoil at the core of the story is more often summarized than shown, and the twins’ berserk behavior is too robotic to impart true horror to their intended role as engineers of the fall of the house of Tyne. Ama takes on an importance unjustified by her wan presence because the novel needs an Ishmael, and she’s it. The close, however, stark in its avoidance of redemptive bromides, is astonishingly moving.
A talented author to watch as her narrative technique matures.Pub Date: Sept. 1, 2004
ISBN: 0-06-073603-8
Page Count: 336
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2004
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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