Short and sweet; stuffed with emotion and original ideas.
Bordallo (An Autobiography of an Afternoon, 2012) delivers romantic philosophy via an enchanting collection of poems and scenes.
Bordallo shows a fresh perspective on love and the struggles of humanity. His lilting tones induce the sensation of falling in love. The collection comprises three parts that take the reader on a date with two unnamed, would-be lovers. The characters share a philosophical conversation over a bottle of wine. When the woman asks, “What are you looking for?” the answer is thought-provoking and unconventional. The second part features a couple on the beach and another intimate conversation. The dialogue is equally pensive, and sometimes self-congratulatory, about seeing frustration as positive, even when left with empty arms. Scenes brim with vivid descriptions that describe the world through a different lens, giving the reader “gardens of sand” and a yellow sky at sunrise. Interspersed among the chatty date scenes are bits of poetry, meditations on romance, the moon, the feel of a kiss. The lyrical work dances on the page, although the images do not always succeed. Comparing eating a mango with making love feels amateurish, creating a disturbing bump in an otherwise romantic ride. An energetic tone replaces the intimate conversations in the final part of the book, as two friends vacation in Brazil and stop at a bar. Secondary characters get swept into each other on the dance floor. They may have fallen in love, if only for a moment. It’s a tale of savoring minutes and making the most of the days—both for lovers and friends.
Short and sweet; stuffed with emotion and original ideas.Pub Date: May 29, 2012
ISBN: 978-1475130140
Page Count: 94
Publisher: CreateSpace
Review Posted Online: April 2, 2013
Review Program: Kirkus Indie
An engrossing coming-of-age story that wrings hard-won wisdom from giddy romance.
In her memoir, Scolnik recounts a passionate affair, tested by separation, with a Frenchman.
Scolnik’s narrative begins in 1976 when the 20-year-old Wesleyan student arrived in Paris for a junior year abroad to study flute, French literature, Marxist “Dialectic Thought,” etc. Entranced by Parisian culture but feeling lonely and adrift, she signed up with the amateur chorus of the Orchestre de Paris, where, scanning the bass section, she beheld Luc, an “Adonis-like man” with “a sensitive face radiating quiet intelligence.” After days of gazing, she finally tapped him on the shoulder. Through awkward small talk, car rides, and cafe meetups with the reserved tax lawyer, the two bonded over classical music and succumbed to a torrent of love, sex that felt “deeply metaphysical,” and languorous idylls in her garret. Alas, their love seemed doomed. Luc was married with a 3-year-old son, but, he assured Scolnik, he was separated from his wife, Claire (much of the time, at least), and would divorce her and go to America to work, perhaps. Returning to New England and Wesleyan, Scolnik continued to hope, encouraged by Luc’s besotted letters and a three-week reprise of the affair during her spring break trip to Paris. When Luc announced that he would come to Boston for a summer English course, she rented them an apartment to live in together—and that’s when her blazing ardor got plunged into an ice bath. Luc arrived grumpy and distracted, hated every morsel of American food, and made plain his indifference to Scolnik, even scoffing at her when she badly cut herself. After five days of this treatment, Scolnik “despised him with every cell in [her] body” and left him. She then rushed back a few weeks later to see him—only to be confronted by Claire herself.
Scolnik’s saga is, in part, a burning love letter to Paris, written with gorgeous detail. In cafes, she writes, she “began to recognize certain types—elderly French ladies sitting shoulder to shoulder looking out onto the street, their miniature terriers perched on chairs beside them; businessmen in suits nursing tall beers; students smoking cigarettes and writing notes at their espresso-cluttered tables; graying, long-haired intellectuals with scarves, looking important, retired, and committed to café life as a means of keeping the old political discussions alive over their plats du jour.” Concerning her fraught relationship with Luc, she conveys the visceral impact of the couple’s attraction (“it was like touching a power line,” she writes, when her finger accidentally grazed his hand during a concert), while its obsessiveness comes through in excerpts from Luc’s hammy but heartfelt missives. (“My body was knotted, as if, at 1:30 when your plane took off, all the existential anguish that you knew how to appease, surprised me again with more force, more tenacity. Paris seems absurd.”) Scolnik’s shrewd, evocative prose captures the bliss of love, but she’s also entertainingly cleareyed about its petty agonies when it unravels. (“Although I knew that none of our daily trials were my fault, Luc made me feel responsible for them all: that the bus ride into Cambridge was long and hot, that good art films weren’t showing at the right times, that a dead fish was floating in the Boston Harbor, that inexpensive little bistros weren’t materializing when we were hungry.”) The result is a captivating remembrance that treats falling in love and falling out of it with equal honesty.
An engrossing coming-of-age story that wrings hard-won wisdom from giddy romance.Pub Date: Oct. 5, 2021
ISBN: 978-1-64663-471-2
Page Count: 252
Publisher: Koehler Books
Review Posted Online: Sept. 25, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Review Program: Kirkus Indie
A lucid, unexpectedly uplifting, and affecting celebration of love that finds hope in despair.
A husband’s love for his wife intensifies after she is diagnosed with breast cancer in this memoir.
In 2000, Simon and his wife, Susan, were in their 34th year of marriage, a moment the author describes as “a perfect time of our lives.” That winter, their lives changed indelibly when Susan was diagnosed with stage 3 breast cancer. Simon, having already experienced the death of his mother-in-law at the age of 56 from the same illness, girded himself for the worst. Whereas Susan, then 54, maintained a positive mental attitude, the author fell into depression and at times was afraid he was losing his mind. The memoir charts Susan’s journey, including her mastectomy and aggressive chemotherapy. But the focus is on Simon’s own struggles, describing out-of-body experiences in which he felt he had visited an imaginary ballroom. When his therapist suggested that these experiences brought dignity to a terrible moment, the author recognized his virtual ballroom as a sanctuary. This breakthrough inspired Simon to write and produce a play about his experience of his wife’s illness. The author describes with emotional clarity how uncomfortable procedures, such as administering an injection to Susan, surprisingly became acts of love: “I discover that I can do things I never thought possible and which creates a deep intimacy. Feeling, touching, and noticing are now different from before.” Simon adopts the same candid precision in describing his visions and his bid to understand them: “As I wander around this brilliant ballroom, I am filled with awe. The ballroom sits empty, hollow, pregnant with purpose and readiness. I am the only one here.” Some readers may feel that the author is unnecessarily wordy on occasion: “Wrongness extends beyond the here and now into the eternal, the stuff of primordial creation.” This can be overlooked given Simon’s dazzling eloquence when communicating his deepest fear of losing Susan: “This fear is not just about living alone; the fear is about being alone. The anticipation of losing part of myself will create an existential aloneness in the universe.” Happily, this moving book suggests that people’s fears are not always manifested in reality in quite the way they anticipated.
A lucid, unexpectedly uplifting, and affecting celebration of love that finds hope in despair.Pub Date: Nov. 2, 2021
ISBN: 978-1-73790-972-9
Page Count: 256
Publisher: Actual Dance LLC
Review Posted Online: Dec. 13, 2021
Review Program: Kirkus Indie
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