Nagy mixes narrative modes and tones (and generations) nimbly; it's rare to see suspense and literary lyricism woven...
An unusual and compelling debut: a vast, ambitious intergenerational family saga that takes place in a brief time frame (three days) and a remote setting.
That would be Seven Island, off Maine's rugged coast, and for nearly two centuries (the novel takes place in 1964, mid–Cold War) the playground for two wealthy families, the Hillsingers and the Quicks, who are deeply entwined yet insist on—revel in—their separateness, living in the island's two grand houses and "mingl[ing] when necessary or appropriate, but rarely with any warmth." Connections have become even more strained and Byzantine in the current generation: Jim Hillsinger and Billy Quick married socialite sisters, so their children are cousins, and, after Billy's wife Hannah's death four years earlier, Lila Hillsinger temporarily took a more intimate role in the lives of her nieces and her brother-in-law. The immediate occasion is "the Migration," the annual summer departure of the sheep of Seven for a neighboring island and its vaunted clover, an event around which elaborate ceremonies have developed. The plot Nagy builds onto this is flabbergastingly complex and fascinating: Jim is a CIA officer recently cashiered because he was suspected of treason...a suspicion that emerged from his efforts to save his sister-in-law, briefly a communist fellow traveler, from public humiliation in the McCarthyite heyday. Meanwhile there's a gorgeous subplot that has to do with Hillsinger's decision (he's egged on by his aged father, one of several indelibly drawn minor characters) to banish his 12-year-old son, Catta, to wild, impassable Baffin Island for a 24-hour period—a brutal rite of passage that Lila has forbidden. The cast is huge, the plot sometimes diffuse, the transitions a bit whipsawing, and there's a small false note at the end...but mostly this novel is a surprising delight.
Nagy mixes narrative modes and tones (and generations) nimbly; it's rare to see suspense and literary lyricism woven together so well.Pub Date: July 4, 2017
ISBN: 978-1-63286-841-1
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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