Interesting if flawed.
In this sequel to a story set in medieval Japan, a girl continues to struggle with being the princess of a defeated village and an exceptional shaman at the same time.
In Spirit’s Princess (2012), the aggressive Ookami clan attacked Himiko’s village and dragged off Noboru, her little brother, and others to slavery. Mad with grief, Himiko’s mother becomes subject to the death penalty when she attacks a child. To save her mother’s life, Himiko decides to travel to the Ookami village and free Noboru. The venture does not succeed, but Himiko’s connection to the spirit world helps her to rise to the point where she can challenge Lord Ryu, the Ookami’s belligerent and autocratic chieftain. Friesner’s characterizations work nicely, especially Kaya, Himiko’s self-confident huntress friend; Rinji, the insecure temporary shaman; Lady Sato, Ryu’s caustic mother; and bombastic Ryu himself. The author runs into difficulty, though, with the sudden emotional shifts she forces on her characters whenever the plot requires a friend to become an instant enemy. Characters shift from love to hatred and from friendship to belligerence, usually abruptly and with no transitional period. Still, the rather slow-moving but suspenseful story gives readers an intriguing view into a fascinating society of the past, even as it takes Himiko’s spirit world seriously.
Interesting if flawed. (Historical fantasy. 12 & up)Pub Date: April 23, 2013
ISBN: 978-0-375-86908-2
Page Count: 496
Publisher: Random House
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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