Compulsively readable true crime provoking questions about policing, poverty, and the ritualized brutality of the rural...
Grisly account of unsolved murders in a small Louisiana town.
New Orleans–based investigative reporter Brown (Shake the Devil Off: A True Story of the Murder that Rocked New Orleans, 2009, etc.) spent two years unraveling the stories behind the impoverished, addicted sex workers murdered in hardscrabble Jennings, Louisiana. While media and police inflated fears of a serial killer, the author argues the murders resulted from collusion between corrupt law enforcement and drug dealers, seeking to punish the women for informing. “It should have been obvious all along,” he writes, “that the Jeff Davis 8 killings were not the handiwork of a serial killer…[since they] all knew one another intimately.” Brown focuses on Frankie Richard, an aging pimp whom the author interviewed extensively; although Richard proclaims his innocence, Brown documents connections among him, the victims, and cops who conveniently mishandled evidence against him. His portrait of law enforcement is damning, identifying powerful officials “who were accustomed to maintaining inappropriately intimate connections with those on the wrong side of the law.” Although a task force was launched in response to public anger, Brown accuses them of ineptitude and misconduct; in one startling example, an investigator bought, cleaned, and resold a truck that may have been used in one murder. The author views these seamy details as congruent with a culture of police violence and a regional underground of drugs and criminality that treats such women as disposable; distressingly, the victims themselves seemed to concur, with the mother of one noting, “I think she could feel that they were closing in on her.” Brown’s writing is clear and approachable, and his research is meticulous, even as locals grew hostile toward his investigation (his final chapters argue connections to political figures beyond Jennings). Although he presents few concrete answers to these mysteries, readers will be shaken by the unpleasant implications of a narrative bearing similarities to the first season of True Detective.
Compulsively readable true crime provoking questions about policing, poverty, and the ritualized brutality of the rural South.Pub Date: Sept. 13, 2016
ISBN: 978-1-4767-9325-2
Page Count: 272
Publisher: Scribner
Review Posted Online: Aug. 19, 2016
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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