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A BRIGHT RAY OF DARKNESS

A brilliant insider's account of the joys and terrors of acting, the trials of celebrity, and the secrets of Henry IV.

A movie star who has suffered total tabloid humiliation plays Broadway for the first time.

In a recent interview, Hawke explained that his fifth book is "everything I've learned about the theater in the past 35 years of work jammed together as if it all happened in one fictional production." It also seems to contain everything he's learned about living in the klieg-lit fishbowl of celebrity. At 32, William Harding has been a screen idol since he was a teenager; he begins rehearsal for his first Broadway role—Hotspur in Henry IV—on the heels of a meltdown in his personal life. His marriage to a beloved rock star has publicly imploded after the exposure of his brief affair with a woman in South Africa; he's living in a Manhattan hotel, seeing his children only in small doses, and experiencing venomous hatred from just about everyone he meets. The novel follows him from the first rehearsal to the closing of the show, in which he is directed by and plays alongside giants of the profession, giving him a complete education in the complexities of acting for the stage. "When a performance is going well there is no thought," he explains, "you are not amused at how well you might be "acting"—there is no you....The outside world tends to celebrate the most trivial superficial aspects of an actor's life, lifting their personality to a plastic God-like status, but the actual joy of acting lies in the absence of personality." Or as the director puts it, "There are only two kinds of Shakespeare productions: ones that change your life, and ones that suck shit." It's not just this "Irish Buddha" director character who is prone to long, profound speeches; poor William gets them everywhere he turns, from an alcoholic playwright in a bar, from an actor friend with a bag of cocaine in the back of a limo, even from his mother.

A brilliant insider's account of the joys and terrors of acting, the trials of celebrity, and the secrets of Henry IV.

Pub Date: Feb. 2, 2021

ISBN: 978-0-385-35238-3

Page Count: 256

Publisher: Knopf

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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