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THE SAME BRIGHT STARS

About as dear as a novel can be. See you in Rehoboth.

A lonely man can’t imagine life after selling his family’s historic beach restaurant to a corporate chain…and he doesn’t know the half of it.

Peppering his third novel with snatches from a (fictional) guidebook to the town of Rehoboth Beach, Delaware, Joella again unfolds a story that illuminates the connections among people who have been in each other’s lives for a long time, even as newcomers wander in to upset the apple cart—or, in this case, the crab cart. Jack Schmidt finds that perhaps he’s just burned out enough to accept an offer from local behemoth the DelDine group, especially as it’s delivered by a high-energy, charismatic, and somewhat weird woman named Nicole Pratt, a ballsy, low-boundaries-type character Joella has great fun with. Though Jack feels obligated to his devoted staff members, it seems one of them is stealing from him and another has a druggie son who has gone dangerously off the rails. Meanwhile, Jack’s old girlfriend Kitty is in town to take care of her ailing mother and has a secret to share that will first break Jack’s heart and then change his life. There’s so much to love about this gentle domestic drama—the fraught bustle of restaurant life; the rhythms of a seaside resort town; the quiet importance of male (and feline) friendship; the often challenging relationships between middle-aged adults and their dying/difficult senior parents, particularly when they have dementia. For example, when Jack picks up his BFF Deacon from a visit to his mom in the care facility, he finds him unusually depressed. “I’m your son,” Deacon tried to assure her when she said she was afraid of him. Her reply: “I hope not.” Shardlike moments like this are what keep this book, so full of sentiment, from being sentimental. Both Joella and his protagonist show that nice guys sometimes finish first.

About as dear as a novel can be. See you in Rehoboth.

Pub Date: July 2, 2024

ISBN: 9781668024607

Page Count: 304

Publisher: Scribner

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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PARTITA

Brilliant, affecting work from one of contemporary literature’s masters.

A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.

We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.

Brilliant, affecting work from one of contemporary literature’s masters.

Pub Date: Oct. 6, 2026

ISBN: 9780063577541

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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