by Ethan Michaeli ‧ RELEASE DATE: Jan. 12, 2016
A pertinent, well-fashioned American success saga.
This chronicle of the influential black Chicago newspaper simultaneously tracks the important issues pertaining to African-American history from the turn of the 19th century.
A copy editor and investigative reporter at the Defender from 1991 to 1996, journalist Michaeli tackles an enormous swath of American history in his thorough, painstaking account of the newspaper’s rise to prominence. The story begins with the Georgia-born Robert Abbott, who had been so impressed by the accomplishments of the black professionals he met while visiting Chicago’s World’s Columbian Exposition of 1893 with his singing group, the Hampton Quartet, that he stayed in the city to attend law school. He was resolved that the city needed an African-American newspaper that would “ ‘wake them up,’ expose the atrocities of the southern system, and make demands for justice.” With scant resources, depending on subscriptions from the South Side black community, and using his landlady’s dining room as a newsroom, Abbott launched his first issue of the “defender of his race” in May 1905, with a print run of 300. Subsequently, Abbott led the newspaper to prominence over four decades, becoming the mouthpiece for the seminal race issues of the day: exposing the spate of lynchings in the South; advocating for the integration of sports teams; covering race riots; agitating for the huge migration of blacks to find industrial jobs in the North, known as the Great Northern Drive; and supporting the troops in a “Jim Crow army” while carefully avoiding undermining the war effort. As the Defender’s mantle of leadership was assumed by Abbott’s nephew John Sengstacke in 1940, the paper took on the role of galvanizing the black electorate, which would become key in the presidential elections of Harry Truman (1948) and John F. Kennedy (1960), the Chicago mayoral upset by Harold Washington in 1983, and Barack Obama’s astonishing homegrown surge in 2003. Michaeli has obviously put a considerable amount of care into the research and crafting of this important history.
A pertinent, well-fashioned American success saga.Pub Date: Jan. 12, 2016
ISBN: 978-0-547-56069-4
Page Count: 656
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 14, 2015
Kirkus Reviews Issue: Oct. 1, 2015
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PROFILES
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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