One scene comes needlessly close to Bull Durham (the town beauty becomes a serial dater of transient ballplayers), and...
The town that baseball built has some mean secrets that throw a wrench into a handful of lives in Us Weekly editor Pilek’s atmospheric and character-filled debut.
Cooperstown is a place so redolent of America that it has taken on the stature of myth. But there are skeletons in its closets, and Pilek pries them out into the light of day to atone for their sins. The ghosts threaten the town’s very foundation: without baseball, the quaint, kempt town would be just another hardscrabble upstate municipality. Without the glory of the baseball’s immaculate conception on its soil, no one would visit. Pilek never gets ponderous with all this, but, instead, she plays it like background music to the residents who live the myth. Forget about the economics; it’s those who identify with the story of the sport’s origins who will pay the price for having stumbled upon closets with ghosts. One will die of a heart attack, another will hang himself, a third will go mute and mad, another turn to booze, a fifth lose everything and go live in the woods. Still, Pilek is not here to play the wasp with a sting. These episodes have already been played out before the story takes root, and Pilek’s tale is in their being put to right, offering a touch of redemption—of the people, not the sport—and taking a peek at why some things endure and others fall by the wayside. Certainly, the good doesn’t always endure. Promising marriages fail, decent lives are quashed, the myth continues to devour even as it sustains. Perhaps it’s time for the myth to move on.
One scene comes needlessly close to Bull Durham (the town beauty becomes a serial dater of transient ballplayers), and another to Shoeless Joe (a dead father appears from on high), but, otherwise, Pilek offers a choice piece of baseballiana.Pub Date: July 1, 2005
ISBN: 0-7432-6694-3
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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