by Eugenia Cheng ‧ RELEASE DATE: May 5, 2015
A sharp, witty book to press on students and even the teachers of math teachers.
An original book using recipes to explain sophisticated math concepts to students and even the math-phobic.
In a chapter on generalization, Cheng (Mathematics/Univ. of Sheffield and Univ. of Chicago) begins with a recipe she adapted to produce a cake that was vegan as well as gluten-, sugar-, and dairy-free, thus extending the recipe’s usefulness to serve more people. A chapter on axiomatization describes the difference between basic ingredients and things you can make with basic ingredients (e.g., marmalade). Math uses basic ingredients—axioms—that are assumed to be true and proofs that use hard logic to derive new truths. That’s what math is all about, writes the author; it is different from science, which gathers evidence to draw conclusions. By this time, Cheng has introduced readers to number systems, groups and sets, algebra, and topology. She also discusses internal vs. external motivation. In cooking, this is the difference between looking at what is on the shelves and figuring out how to use it in a recipe you invent (internal motivation) versus having a recipe in mind and gathering all the ingredients you need to make it (external). The author laments the way math is often taught, with the teacher providing a problem to solve and students finding the correct answer. She is strongly internally motivated in the pursuit of her specialty, category theory. She calls it the mathematics of mathematics, a field that seeks the most abstract generalizable concepts in relation to the worlds of mathematical objects. Cheng explains how category theory works by emphasizing contexts, relationships, structure, and universal properties, giving examples. The reading is tougher going here, probably because readers are in a state she describes as believing what she is teaching but not fully understanding it. However, Cheng is such a gifted teacher, readers will want to dive in again.
A sharp, witty book to press on students and even the teachers of math teachers.Pub Date: May 5, 2015
ISBN: 978-0-465-05171-7
Page Count: 304
Publisher: Basic Books
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
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by Eugenia Cheng ; illustrated by Amber Ren
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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