The indefatigable Price (Beauty from Ashes, 1995, etc. etc.), returning to her beloved South with another preCivil War tale, provides shadings of complexity on a subject that tends to be portrayed in strictly black-and-white terms: the reactions of Southerners, both transplanted and born-and-bred, to an institution that literally divided the country. Well-bred Bostonian Abigail Banes has plenty of romantic illusions about what life will be like when she marries the much older Eli Allyn, who owns a rice plantation in coastal Georgia. And to a certain extent, those illusions come true: Eli dotes on her, buys her everything she could dream of, and provides her with two loyal, kind-hearted servants who cater to her every whim. But what Abigail really craves—companionship—seems beyond her husband's abilities to provide. When Eli dies unexpectedly while attempting to purchase slaves, his new overseer, Thaddeus Greene, comes to Abby's immediate rescue, helping her understand, for the first time, the inner-workings of the plantation and the responsibilities she now faces as the owner of not only the property but the hundreds of black men and women who keep it operating. Although Thaddeus works as an overseer, his true feelings about slavery cause him constant anguish; and after a visit to Boston, where her also-widowed mother has become an avid abolitionist, Abby is forced to make some critical decisions concerning her livelihood. In the end, Abby and Thad both find peace of mind in living true to their deepest beliefs; in the process they also find what each has been seeking without really knowing it: a love that will sustain them through their darkest hours. Formulaic period romance, yes, but Price's saving grace, once again, is her thorough historical research and her insistence on blending a strong dose of real grit with the obligatory melodrama. (Literary Guild/Doubleday selection)
Pub Date: May 10, 1997
ISBN: 0-385-47938-7
Page Count: 384
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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