The indefatigable Price (Beauty from Ashes, 1995, etc. etc.), returning to her beloved South with another preCivil War tale, provides shadings of complexity on a subject that tends to be portrayed in strictly black-and-white terms: the reactions of Southerners, both transplanted and born-and-bred, to an institution that literally divided the country. Well-bred Bostonian Abigail Banes has plenty of romantic illusions about what life will be like when she marries the much older Eli Allyn, who owns a rice plantation in coastal Georgia. And to a certain extent, those illusions come true: Eli dotes on her, buys her everything she could dream of, and provides her with two loyal, kind-hearted servants who cater to her every whim. But what Abigail really craves—companionship—seems beyond her husband's abilities to provide. When Eli dies unexpectedly while attempting to purchase slaves, his new overseer, Thaddeus Greene, comes to Abby's immediate rescue, helping her understand, for the first time, the inner-workings of the plantation and the responsibilities she now faces as the owner of not only the property but the hundreds of black men and women who keep it operating. Although Thaddeus works as an overseer, his true feelings about slavery cause him constant anguish; and after a visit to Boston, where her also-widowed mother has become an avid abolitionist, Abby is forced to make some critical decisions concerning her livelihood. In the end, Abby and Thad both find peace of mind in living true to their deepest beliefs; in the process they also find what each has been seeking without really knowing it: a love that will sustain them through their darkest hours. Formulaic period romance, yes, but Price's saving grace, once again, is her thorough historical research and her insistence on blending a strong dose of real grit with the obligatory melodrama. (Literary Guild/Doubleday selection)
Pub Date: May 10, 1997
ISBN: 0-385-47938-7
Page Count: 384
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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