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FINDING LUCY

A valuable lesson in pursuing your own artistic star

Everybody’s a critic.

Lucy, an elementary-age white girl who appears to live alone with her cat, is an artist, painting happily in her garden until a reporter from the local paper comes by. “I am painting the color of laughter,” she explains. The reporter scoffs: “It looks like JELLYBEAN SOUP!” Nevertheless, the press brings curious art lovers to see for themselves. One thinks the laughter should be louder; another is disappointed that it’s not actually jelly-bean soup. With each complaint, Lucy changes her painting. More visitors come, each demanding that Lucy create something that in some way represents their own self-interest. Only her cat supports her vision. When a “big-city critic” declares her work insufficiently “FEROCIOUS,” Lucy tries hard to please, “splatter[ing] the beautiful painting with ink and garbage and mud,” but the critic is not impressed. The cat comforts a glum Lucy, quietly encouraging her to return to her own style—and when she does, she’s happy again. Fernandes’ illustrations borrow both palette and a sense of vegetative lushness from Gauguin; Lucy’s creations are almost wholly abstract. She is also the only human in the story—all the carping critics are anthropomorphic animals, lending a sense of fun and softening the unkindness of their remarks. The text shares the illustrations’ whimsy, delighting in words as much as Lucy delights in her art.

A valuable lesson in pursuing your own artistic star . (Picture book. 5-8)

Pub Date: Oct. 29, 2019

ISBN: 978-1-77278-088-8

Page Count: 32

Publisher: Pajama Press

Review Posted Online: Aug. 27, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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BEST BUNNY BROTHER EVER

A tale of mutual adoration that hits a sweet note.

Little Honey Bunny Funnybunny loves baseball almost as much as she loves her big brother P.J.—though it’s a close-run thing.

Readers familiar with the pranks P.J. plays on his younger sibling in older episodes of the series (most illustrated by Roger Bollen) will be amused—and perhaps a little confused—to see him in the role of perfect big brother after meeting his swaddled little sister for the first time in mama’s lap. But here, along with being a constant companion and “always happy to see her,” he cements his heroic status in her eyes by hitting a home run for his baseball team and then patiently teaching her how to play T-ball. After carefully coaching her and leading her through warm-up exercises, he even sits in the stands, loudly cheering her on as she scores the winning run in her own very first game. “‘You are the best brother a bunny could ever have!’” she burbles. This tale’s a tad blander compared with others centered on P.J. and his sister, but it’s undeniably cheery, with text well structured for burgeoning readers. The all-smiles animal cast in Bowers’ cartoon art features a large and diversely hued family of bunnies sporting immense floppy ears as well as a multispecies crowd of furry onlookers equally varied of color, with one spectator in a wheelchair.

A tale of mutual adoration that hits a sweet note. (Early reader. 6-8)

Pub Date: Jan. 6, 2026

ISBN: 9798217032464

Page Count: 48

Publisher: Random House

Review Posted Online: March 17, 2026

Kirkus Reviews Issue: May 1, 2026

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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