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WHEN SADNESS IS AT YOUR DOOR

Children will feel better, too, knowing they have a helpful, honest, and empathetic picture book ready for the next time...

Many books for young readers tackle terrible tantrums, but few address sadness that surfaces perhaps for no reason at all; this gives that muted malaise a shape, an identity, and love.

A child tentatively opens the door and finds Sadness, a towering, amorphous, pale teal figure, waiting on the other side. It has arm and leg stumps but no neck or waist. Text set in a type that emulates handwriting tells children what they already know: “Sometimes Sadness arrives unexpectedly.” The playful interplay between the literal and the figurative makes engaging a tough topic pleasurable. In casting melancholy not as an enemy but as a sometime companion, this powerful picture book inspires empathy and action. The hand-drawn illustrations’ extremely limited, three-color palette (a washed-out blue for Sadness’ ghostly, blobby body, subdued circles of pink on the child’s cheeks, and chocolate brown for the lines that etch their world) similarly channels depression in its constriction of color. The ungendered, light-skinned child trudges alongside Sadness with slumped shoulders as they enact the sound, practical coping tactics introduced by the narrative voice. “Try not to be afraid of Sadness. Give it a name.…Find something that you both enjoy, like drawing.” Front endpapers show depressed people ignoring their sadnesses, while back endpapers show these same characters interacting with them and feeling better.

Children will feel better, too, knowing they have a helpful, honest, and empathetic picture book ready for the next time Sadness shows up for a visit. (Picture book. 4-10)

Pub Date: Jan. 29, 2019

ISBN: 978-0-525-70718-9

Page Count: 32

Publisher: Random House

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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