The molasses runs as deep—and sweet—as the Danube in this romantic drama set in an Austrian boarding school on the eve of Hitler’s invasion. British novelist Ibbotson (The Morning Gift, 1993, etc.) offers a pleasant if inconsequential tale that follows the pre-war adventures of Londoner Ellen Carr after she takes the position of house mother at a socially progressive academy for budding Marxists, musicians, and artists. The position comes as a shock to Ellen’s family; her mother and two aunts are committed suffragettes, having spent much jail time to free women of the burden of servile housework. But they learn, to their amazement, that this is the role Ellen has always yearned for’so much so that she dropped out of Cambridge to study home management and cooking. And now, under Ellen’s gentle, resourceful care, Hallendorf School begins to function with Victorian efficiency; even the once-atheist children start attending church. Meanwhile, sensible Ellen is thrown among a quirky mix of instructors—a Russian ballerina, a hysteric metalworks teacher, and an overly emotive drama coach. None of the staff, however, is as intriguing as the mysterious groundsman, Marek, who turns out to be a prominent Czech composer hiding incognito at the school to better facilitate the rescue of a Jewish friend from a concentration camp. Ellen and Marek’s acquaintance grows into a deep friendship and then love, and an engagement ensues, taking the two to Marek’s vast country estate. The Nazis, though, take revenge on Marek for helping with the escape of his friend, and mayhem breaks loose. Marek is believed lost, Ellen returns to London to marry an old admirer, and many of the Hallendorf children seek refuge at the Carr residence. Will the two lovers reunite? Will the Allies win the war? A happy ending is, of course, guaranteed, though the predictability barely detracts from this companionable tale, populated with odd, likable characters. Fluff, but high-quality fluff.
Pub Date: April 1, 1998
ISBN: 0-312-18181-7
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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