by Eva Rome ‧ RELEASE DATE: N/A
An often diverting analysis of the deeper meaning of some odd cultural artifacts.
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In this collection of semiserious semiotic essays, Rome (Travel for STOICS, 2018) examines symbols in everyday American life.
Myths, symbols, and archetypes are often associated with the study of dusty works of literature, but they’re also part of our daily existence. Rome aims to point out a few highlights in this new collection, which explores the not-so-obvious symbolic meanings of objects and activities in contemporary American culture. Indoor sky diving, for example, may be an attempt to re-create the ancient dream of flying—whose meaning remains much debated—in waking life. Fidget spinners, she conjectures, could simply be the latest manifestation of a triskelion motif that has appeared in cultures worldwide since the Stone Age. The ancient Hindu concept of the avatar—a material manifestation of a god—has been borrowed by movies, video games, and social media, she notes. As the author writes in her introduction, the book “aspires to be the early third millennium’s answer to [Roland Barthes’] insightful and funny work Mythologies” from 1957, which analyzed the processes of modern mythmaking. But although Rome’s prose can sometimes feel academic, it more often reads like good magazine journalism: “The 3-D archery course is strewn with life-sized, self-healing foam models of common game animals, such as deer, elk, boar, and rabbits. Other not-so-common targets include velociraptors, cobras, carp, alligators, baboons, jackalopes, and even zombies.” Winking essay titles, such as “The Roller Coast Ride as Aristotelian Narrative” and “The Eyelash Curler as Monument,” reveal the author’s sense of humor, but she backs them up with well-considered arguments. The essays are short—some are only three or four pages long—and they vary in quality; one, about Segway scooters, for instance, feels closer to a product review than a piece of cultural criticism. Overall, this isn’t a collection for everyone, but those with analytical predilections—and perhaps a liberal arts degree—will find much to intrigue and amuse them.
An often diverting analysis of the deeper meaning of some odd cultural artifacts.Pub Date: N/A
ISBN: 978-0-9678995-4-1
Page Count: 152
Publisher: Blue Morpho Press
Review Posted Online: Oct. 4, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
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by Eva Rome
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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