Learning, empathy, and wonder in an ever shifting luminous landscape.
A look at the many faces and phases of the moon and a child’s understanding of the natural world.
A child with beige skin and curly dark hair points out the window at the full moon, eager to go say hello. Together, the child and a caregiver bundle up against the wintry chill and head out on the first of many nocturnal jaunts to explore the various shapes and phases of the moon. One night, the child expresses concern about the disappearing moon. The caregiver reassures the child that all is well (“It sounds like the Moon is feeling shy. Should we go out and say hello?”), and the two sit with and comfort the moon as it slowly disappears over a period of two weeks, a process depicted in graphic novel–like panels. In an unexpected surprise, the child and caregiver appear etched white against a moonless blue-purple sky. Loose lines and expressive faces convey the closeness between the child and caregiver. Though the text is quiet and fairly straightforward, striking angles and perspectives keep each spread vibrant and eye-catching. Orblike shapes echo throughout the book—for instance, the child’s head. Warm reds, yellows, and purples used to portray indoor scenes transform into thinner, flatter hues in the cold moonlight, and a marbleized texture lends depth and movement to each illustration. This one pairs well with Jane Yolen’s Owl Moon (1987), illustrated by John Schoenherr, with a unique art style perfect for bedtime and library storytime alike, with age-appropriate STEM opportunities as well. (This book was reviewed digitally.)
Learning, empathy, and wonder in an ever shifting luminous landscape. (Picture book. 3-7)Pub Date: Sept. 20, 2022
ISBN: 978-1-5344-0080-1
Page Count: 40
Publisher: Atheneum
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
PERSPECTIVES
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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