An understated holiday story with dazzling art, by the duo behind Smoky Night (1994) and Going Home (1996). Simon and his mom live in a cardboard box, but they have a scrap of a Christmas tree, some found decorations including Simon's toy soldier, and an angel on the wall, named December, tom from an old calendar. On Christmas Eve, an old woman begs them to share their box, and they let her in, where Simon offers her one of the two cookies he is saving for Christmas day. In the morning, the old woman is gone, and the angel herself, singing softly, seems to fill the doorway before fading away. The next Christmas Eve finds Simon and his mother in a real apartment She has found a job, and the December angel is on their new wall. Diaz's acrylic, watercolor, and gouache paintings have the monumentality and intensity of stained glass, with their flat planes of color and black outlines. The agitation of some of his work has been subsumed into a gentler and more emotionally resonant style, set against collage backgrounds full of roses and angels. The angel, with the wings of the feathered cloak of a Mesoamerican goddess, is a glorious creation. Seen in almost every spread in a glowing palette of rose and gold, she draws the eye and the heart again and again. (Picture book. 5-8)
Pub Date: Oct. 1, 1997
ISBN: 0-15-201434-9
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
Sugary uplift, shrink-wrapped for the masses.
An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.
Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)
Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)Pub Date: Dec. 6, 2022
ISBN: 9781728268781
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 17, 2023
Kirkus Reviews Issue: Feb. 15, 2023
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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