The rightness of death for the deceased, the painfulness for the survivors—conveyed with exceptional directness in the context of an unfamiliar culture. The reader will immediately wonder, with small narrator Laura, how Grandfather can have a "happy funeral"; as older sister May-May protests, "It's like saying a sad party. Or hot snow. It doesn't make sense." But as the Chinese-American leave-taking unfolds, each custom falls into meaningful place. At the funeral parlor, relatives lay gifts in the casket. Mom's is food "for Grandfather's journey": soy beans, lichee nuts, and, at Laura's suggestion, chocolate chip cookies. Play money, burned, "will be real when it turns into smoke and rises to the spirit world." May-May and Laura have drawn pictures to alight—Laura of Chang, "a dog my grandfather had when he was a boy." (When Chang turns to flame, Laura cries—first, ashamedly, for Chang; then for Grandfather himself.) The funeral brings speeches, recollections, tears; the funeral procession is a fanfare: two cars of flowers, with Grandfather's picture atop the first; a marching, tootling band. ("You'd never guess it was hymns, all jazzed up like this!") But at the cemetery: "Tears are running down Mom's face." The band stops playing. And at the graveside, Laura links her Grandfather's smiling visage with her mother's baffling words. "She never said it was happy for us to have him go." The light-fingered, gray-toned pencil-and-wash drawings display the same combination of sensitivity, economy, and finesse.
Pub Date: Sept. 1, 1982
ISBN: 0060208937
Page Count: 38
Publisher: Harper & Row
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: Sept. 1, 1982
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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