A thoughtful and informative work that could have benefitted from a more cohesive structure.
A contemporary look at South Africa’s White supremacy in action.
Pulling together more than a dozen stories of South Africans from a variety of racial and ethnic backgrounds, Fairbanks—a former political writer for the New Republic who has contributed pieces for the New York Times, Washington Post, and other outlets—paints a sensitive, often engrossing portrait of the nation during and after apartheid. “I sometimes like to tell people recent South African history loosely collapses two hundred and fifty years of American history into about thirty—from our antebellum era into our future,” she writes. While the author focuses on three people—anti-apartheid activist Dipuo, her daughter Malaika, and former army recruit and proud Afrikaans lawyer Christo—the many other narrative strands sometimes trail into tangents, not all of which are relevant. The beginning of the book is somewhat disorienting, as the author does little to ground readers in the overall context. Some of the sections of the text are engaging, while others are dry and detached despite the moving nature of the topic. The most memorable parts of the book involve Dipuo and Malaika, both of whom emerge as incredibly strong, even heroic characters. While the author’s depth of detail into their lives is important when considering the tumultuous atmosphere in which they live, some readers may be startled by the candid discussions of assault and rape. Though these passages are necessary to convey the gravity of the situations, they will likely distress unguarded readers suffering from their own trauma. The scope of the author’s research is impressive, and she is to be commended for taking care to thoroughly and compassionately expose apartheid and the many complex effects that ripple out to everyday people, demonstrating appropriate nuance while allowing no space for the tolerance of oppression. Though the narrative is disjointed in places, readers won’t soon forget Dipuo and Malaika.
A thoughtful and informative work that could have benefitted from a more cohesive structure.Pub Date: July 19, 2022
ISBN: 978-1-476-72524-6
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: May 18, 2022
Kirkus Reviews Issue: June 15, 2022
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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