by Eve Merriam & illustrated by Pam Paparone ‧ RELEASE DATE: March 1, 2001
Merriam (Where's That Cat, 2000, etc.) has a poet's gift for the sort of lively language play that delights young children with just a few well-chosen words, such as "Heels / Wheels / Flippery seals and slippery eels." This playful poem, originally published in 1962, functions as a concept book about actions, animals, and objects found on or near the ground, at just the right height for children to observe with all their senses. Some of the choices are obvious (pebbles and shells), while others are more subtle, such as the smell of flowers or a new moon on the horizon. The rhyming couplets of the poem are skillfully integrated into cheery full-page or double-spread illustrations of chubby-cheeked children and amusing animals: a dachshund, a cow-licking clover, and a giraffe (curled up sleeping and thus showing how even a tall animal can be part of the "low" concept). Paparone (Fire Fighters, 1999, etc.) uses a bright palette of crayon colors and injects lots of humorous details into her thoughtfully composed illustrations. The rich language, rhyme, and rhythm of the text make this an engaging story for preschoolers and a logical choice for new readers too, who might try writing their own "High Song" sequels. (Picture book. 3-6)
Pub Date: March 1, 2001
ISBN: 0-689-82820-9
Page Count: 32
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2001
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by William Boniface ; illustrated by Julien Chung ‧ RELEASE DATE: Oct. 1, 2024
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Oct. 19, 2021
Fun enough to read once but without enough substance to last.
Familiar crayon characters argue over which color is the essential Christmas color.
Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)
Fun enough to read once but without enough substance to last. (Picture book. 3-6)Pub Date: Oct. 19, 2021
ISBN: 978-0-593-35338-7
Page Count: 32
Publisher: Philomel
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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