A profound work of dark and brutal truth.
Recalling the work of Kafka and de Sade, a nightmarish fable explores timeless questions about violence and subjugation, power and freedom.
The celebrated Rosero is no stranger to the darker regions of the human imagination, whether in his previous novels of Colombian politics and history or in his latest, a mythical story whose world is removed from ours; as in a fairy tale, it exists outside any recognizable place while reflecting, from a tilt, the violent history of modern nation-states. The novel examines a group of naked prisoners who have been put away in an enormous but cramped house where they are forced to serve the higher caste of “clothed ones.” From the shadows of the wardrobe in which he's been sentenced to live, the narrator, a "naked one," describes his silent and interior rebellion against the clothed ones, unravelling this small society’s structures and rituals in all their nuance and complexity. We learn, for example, that all naked ones possess both sexes, each individual essentially choosing their gender at some point in their youth. Though clothed ones arrive at the house whenever they like, naked ones can't leave the house without being harassed and attacked, subject to elaborate, innovative forms of torture. And while the clothed ones will elect certain naked ones to favor and protect, the weakest of the naked ones are maimed or even die of starvation at young ages. Rosero packs great depth within a brief novel through brisk chapters that can change tone as the ambivalent narrator wavers among resentment, anger, and defeat. Though the world of this story is bleak—sometimes almost unbearably so—the narrator’s soliloquies on agency in the midst of captivity and degradation are timeless, haunting, and extremely powerful.
A profound work of dark and brutal truth.Pub Date: Sept. 7, 2021
ISBN: 978-0-8112-2862-6
Page Count: 96
Publisher: New Directions
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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