by Evelyn Lau ‧ RELEASE DATE: March 9, 1995
A collection of sordid short fiction about sex, initially seductive but ultimately disappointing. Lau (Runaway: Diary of a Street Kid, not reviewed) tackles the difficult topic of the dark underworld of female sexuality. Her women reveal a surreal mixture of strengths and weaknesses: They dominate men with everything from pretty young faces to black stilettos to the handles of wooden spoons, while falling victim to mind-numbing drugs, vicious male strength, and their desperate need for money. Often women appear to be controlling men: In ``The Session,'' Mary forces the wimpy son of an invalid mother to bring her wine on his knees, lick the bottoms of her shoes, and thank her for thrashing a spiked collar across his buttocks; the narrator of the title story manipulates a drunk, lonely old man into paying her hundreds of dollars to keep him company. Other times, women are at the mercy of brutal men: In ``Roses,'' an 18-year-old accepts the drugs and beatings of her psychiatrist paramour, certain he's acting out of the purest love; while ``Pleasure'' shows a woman frustrated by a hopeless affair with a married man succumbing to the lashings of a stranger, taking comfort in his absolute power over her and the fact that she can't be held responsible for anything that happens. But Lau so shallowly sketches her characters that it's hard to tell if these women are to be respected for choosing to submit, or pitied for occupying a position in a patriarchal hierarchy that forces them to become prostitutes and sex slaves. The idea that we must accept whatever happens between consenting adults is difficult to buy when one of those adults is at a financial, emotional, psychological, and historical disadvantage, and Lau's facile approach makes it impossible to determine how we're meant to interpret the often revolting action. Drags on too long, despite the volume's slimness.
Pub Date: March 9, 1995
ISBN: 0-7868-6058-8
Page Count: 128
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1995
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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