An intriguing but uneven tale with a lovely environmental theme and some gorgeous images.
A rhyming picture book offers an appreciation of nature.
Opening with a quote from naturalist John Muir, Cade’s story starts on a strong note, showing humanity’s connection to the natural world in a stunning opening illustration. Describing how “nature’s factory takes / in toxins, giving back air,” the rhyming text leans into metaphors of how Mother Nature provides everything that is needed. For the most part, this tale is effective, especially when describing the natural world’s beauty and the unity of all living things. Calling on readers to do their part, the narrator emphasizes the responsibility humans have to care for the planet. But despite the idea of unity, credits given to Native Americans as “our first stewards” who taught “us to take / only what we need— / and leave abundance / guaranteed” feel awkward. The author is clearly trying to praise Indigenous peoples, but doesn’t quite succeed. The text glosses over broken treaties and treats Native Americans as a monolith. In addition, Riegler’s mixed-media images represent Native peoples with stereotypical iconography. Still, the rest of the illustrations are beautiful, particularly when representing Earth in human form, with ocean skirts and forests in her hair. The watercolor backgrounds deliver a sense of realism, and the sweet cartoon animals have kid appeal. While Cade’s scansion shifts, the rhymes are easy to find and the flow is musical. But the choice to use cursive for key phrases may stymie emergent readers.
An intriguing but uneven tale with a lovely environmental theme and some gorgeous images.Pub Date: N/A
ISBN: N/A
Page Count: 48
Publisher: Snapdragon Publishing
Review Posted Online: Aug. 23, 2023
Review Program: Kirkus Indie
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...
A hug shouldn’t require an instruction manual—but some do.
A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)Pub Date: Jan. 29, 2019
ISBN: 978-1-338-29710-2
Page Count: 32
Publisher: Scholastic
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
