PORTRAIT OF A SCOTSMAN

The third installment of the League of Extraordinary Women series features the Beauty and the Beast romance trope.

Banking heiress Hattie Greenfield has always been seen as the lovely one in her family even though she’s an Oxford scholar. She struggles with writing and numbers, but art is her passion anyway. Self-made man Lucian Blackstone isn’t fully accepted within the upper echelons of society because of his low-class upbringing and notoriety for ruining men in debt. The pair end up at the altar after being caught in a compromising position. Hattie is physically attracted to the brooding Scotsman but had hoped to marry for love. This rocky start does not immediately turn into wedded bliss, but when the couple travels to Scotland, they start to understand each other better. Tender emotions and lust grow stronger, but Lucian is committed to revenge against a man from his past, and Hattie has her own unfulfilled dreams. Rich with historical detail, this leisurely romance has a strong social justice element. Like previous titles in the series, the suffragist movement, of which Hattie takes part, plays a role, but this time around workers’ rights are at the forefront. Lucian owns a mine, and Hattie discovers her class privilege when they visit. The workers—men, women, and children—have agency, and it’s their wants that lead the changes Hattie and Lucian are able to assist with. The tumultuous relationship between Hattie and Lucian remains the primary driving force throughout.

A winning, lush romance with a social conscience.