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A ROGUE OF ONE'S OWN

From the League of Extraordinary Women series , Vol. 2

A splendid, if uneven, addition to the series.

A suffragist and a rogue move from unwilling business partners to lovers in Victorian England.

Lady Lucie Tedbury has an ulterior motive for buying half the shares of London Print, a publishing house known for wholesome magazines for women. She and her fellow Oxford suffragist friends are fighting against the Married Women’s Property Act. Their plan to publish a report is thwarted when Lucie finds out that Lord Tristan Ballentine, “scoundrel, seducer, bane of her youth,” has bought the remaining shares. Tristan cannot let Lucie bring down the publishing house; he needs to make a profitable income so he can free himself and his mother from his horrid father. Although their differing goals for the publisher put Lucie and Tristan at odds, their physical attraction is undeniable. Tristan offers control of the business in exchange for one night in bed together. At first Lucie thinks he’s asking too much, but she soon believes it’s too little. Like its predecessor, Bringing Down the Duke (2019), this second installment in the A League of Extraordinary Women series delivers a smart, capable heroine finding glorious love in a rich historical setting with plenty of wit and swoons along the way. Convoluted plotting and clichéd side characters make parts of the story drag, but Lucie’s consistent characterization pushes through. Her passion and dedication to the cause feel authentic and drive her conflict with the notion of romance. She refuses to lose herself and become a possession, yet she feels the freedom that comes with being loved.

A splendid, if uneven, addition to the series.

Pub Date: Sept. 1, 2020

ISBN: 978-1-984805-70-6

Page Count: 448

Publisher: Berkley

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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JUST FOR THE SUMMER

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Two people with bad luck in relationships find each other through a popular Reddit thread.

Emma Grant and her best friend, Maddy, are travel nurses, working at hospitals for three-month stints while they see the country. Just a few weeks before they’re set to move to Hawaii, Emma reads a popular “Am I the Asshole” Reddit thread from a Minnesota man who thinks he’s cursed—women he dates find their soulmates after breaking up with him, and the latest one found true love with his best friend! Emma has had a similar experience, which inspires her to DM the man and commiserate. She’s delighted by her witty, lively interactions with software engineer Justin Dahl, and is intrigued when he suggests that if they date each other, maybe they’ll each find their soulmate afterward. Emma upends the Hawaii plan and convinces Maddy to move to Minneapolis for the summer so she can meet Justin in person. The overly complex setup brings Emma and Justin together and the two hit it off, with Justin immediately falling head over heels for Emma. Jimenez then pivots to creating romantic roadblocks and melodramatic subplots centering on each character’s family of origin. Justin’s mother is about to serve six years in prison for embezzlement, which means Justin must move back home to care for his three much younger siblings. Emma was traumatized by her own mother for much of her childhood, left to fend for herself and eventually abandoned in the foster system. When her mother shows up in Minnesota, Emma must face her traumatic childhood and admit that she has prioritized her mother’s well-being over her own. There is little time devoted to Emma’s painful efforts to heal herself enough to accept Justin’s love, which leaves the novel feeling unsatisfying.

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Pub Date: April 2, 2024

ISBN: 9781538704431

Page Count: 432

Publisher: Forever

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 15, 2024

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