A captivating British import.
Francesca “Frank” Patel’s summer holiday is interrupted, first by bullies and then by a glimpse of another world.
The neighborhood goons pick on Frank with escalating meanness. But the odd, large, flat-faced boy from her school whose name (Nicholas Underbridge) hints at his unusual origins—the boy everyone claims smells and no one wants to sit with—rescues her bag from a nettle field where the bullies tossed it, then takes her to his house for refuge. Nick’s house, filled with his dad’s colorful abstract paintings, is otherwise tidy except for two things: there is a damp, rich, earthy odor there, and Frank hears extraordinary music that fills her soul and makes her long for more. Frank’s curiosity results in a frightening, nearly world-ending chain of events. Harrold gracefully tosses together hints of quantum physics, old legends, and magic-ministry–type agents. Frank’s struggle to reconcile her fear of her bullies, her growing friendship with Nick, and the truth about the maker of otherworldly music are poignantly convincing and likable. Pinfold’s atmospheric illustrations, darkly menacing and mysterious by turns, add to the contemporary folk-tale atmosphere. The only hints about Frank’s Indian heritage are her name and a minor moment when an elderly woman asks Frank’s wisecracking at-home dad if they have tuna fish “where you come from.”
A captivating British import. (Fantasy. 8-11)Pub Date: July 4, 2017
ISBN: 978-1-68119-401-1
Page Count: 224
Publisher: Bloomsbury
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
File under “laugh riot.”
A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.
Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.
File under “laugh riot.” (Graphic science fiction. 8-11)Pub Date: Nov. 5, 2024
ISBN: 9780063315280
Page Count: 272
Publisher: HarperAlley
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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