Far-out, fresh, and gripping. And better than the movie.
Wilson turns from medical thriller (Sims, 2003) to focus on a contagion of vampires.
The author has been writing about vampires since The Keep (1991), a bizarre bloodfest about an extermination squad of storm troopers sent to destroy monsters that were killing Nazis in a Transylvanian castle. This time, he takes off from his short story “Midnight Mass,” which was filmed from Wilson’s screenplay, released theatrically last July, and is already out on a DVD that’s gotten some of the most wretched reviews ever to appear on Amazon.com. So Wilson has apparently novelized his story from the screenplay. In his introduction, he calls it a pseudovampire novel, while he terms Midnight Mass the real deal, like Stephen King’s Salem’s Lot and not like the tales of tortured romantic aesthetes passing for vampires since King’s masterpiece. This one starts big: all of Eastern Europe, Russia, India, China and now Western Europe are overrun, while vampire conversions multiply geometrically. Starting with big Jewish sections of Brooklyn and Queens, the whole East Coast is lost as well. The US vampires tear off their victims’ heads to stop turnings and conserve their food population. Since Wilson’s story takes vampires seriously, it takes Catholicism seriously as well, making crucifixes and holy water fatal to vampies. Sister Carole Hanarty, of St. Anthony’s church in small but now largely deserted Lakewood, New Jersey, learns that the vampires hire “cowboys” to round up human cattle while promising them eternal life later on. Carole, forced to “rekill” undead Sister Bernadette, turns vigilante, cooks up some potassium chloride plastique bombs, and later joins with Father Joe Cahill and Joe’s lesbian niece Lacey, to form a vampire killer posse. The group liberates the Lakewood Post Office, where vampies sleep, then it’s off to the Empire State Building, with Carole wired as a suicide bomber, to kill Franco, the top vampire.
Far-out, fresh, and gripping. And better than the movie.Pub Date: April 1, 2004
ISBN: 0-765-30705-7
Page Count: 336
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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