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NIGHTWORLD

Cataclysmic horror novel, sixth and final in a series begun with The Keep (1981). This is something of an omnibus, bringing together characters from the earlier novels in a last fight against the evil entity first met in The Keep, wherein Nazis occupying a Rumanian castle released the then vampire, timeless entity Rasalom. Although Rasalom seemed driven off, he reappeared as the motherless clone in Reborn (1990), which fathered the genius baby in Reprisal (1991). Now Rasalom, gestating in a cave in the earth beneath Central Park's Sheep Meadow, begins his final assault, feeding on humankind's fears and negativity for the force needed to occupy the planet. Rasalom faces Glaeken, his ancient enemy for good, who lives with his disease-ravaged wife Madga (girl heroine of The Keep) over Central Park West, but both opponents are pawns for forces of Good and Evil who battle on a scale that takes no account of human existence. The present novel has enough whiplash plot and flying horror to suffice for its own needs, although it often reads like Ghostbusters gone berserk. Sunrise comes late, sunset early as Rasalom shrinks earth's daylight. He opens a bottomless 200-year pit in the Sheep Meadow that goes not to China but to another dimension. Out of it fly horrible acid-bag bugs and chomping piranha bats, as night falls, and at last night falls permanently. Many heroes and heroines from earlier novels gather with Glaeken to fight Rasalom with dat-tay-vao, a miraculous Vietnamese necklace whose talent also inhabits the once-autistic child Jeffy. While giant black flying leviathans eat aircraft, more holes appear around the earth, one forming a whirlpool off Hawaii that causes the island to disappear under a reawakened volcano chain. Will Glaeken and the sword of day-tay-vao save mankind—and this novel get published? Gripping and gruesome super-comic-book stuff—but let's hope this is it.

Pub Date: Oct. 15, 1992

ISBN: 0-913165-71-9

Page Count: 325

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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