A fun, fast read with some history and feminist themes thrown in.
In her latest historical novel, Justice (Sword of the Gladiatrix, 2015, etc.) examines the life of little-known Roman empress Placidia.
In the fifth century, the Roman territory of Ravenna in northern Italy is sacked by the Goths. Young Princess Placidia is captured and held as a “guest” in the Goths’ royal court so that she can be used as a negotiation tool with the Romans. The author creates great tension as readers follow Placidia to the Gothic land, where she’s taken care of by Queen Gaatha, the wife of Alaric, king of the Goths. After a series of events that warms Placidia to the barbarian tribe, she finds herself falling for Ataulf, Gaatha’s brother, who takes control of the Goths after Alaric falls dead of a fever. Alaric’s and others’ demises come rather abruptly, but the book is an addictive read, as Justice chooses her key moments wisely, weaving a decadeslong narrative about Placidia’s layered life as she rises to eventual leadership. The opening scenes make clear that as a woman, Placidia’s bloodline is her most useful asset in ancient society. The author does a fine job of delicately underlining the limits of female governance during the period, creating sympathy for the heroine, whose only option is to rule through men. The sharp protagonist effectively navigates the politics surrounding her incapable brother, as well as conspirators, tragic deaths, and war, all while trying to save the nearly deflated Roman Empire. Justice shies away from in-depth political and geographical history, which keeps the novel from feeling like a historical lesson; however, at times, the text feels rushed, with myriad new names constantly appearing. If the author had allowed the various characters a little more room to breathe, it would have added more richness to the book. That said, the prose is tight and clean throughout, and the characters’ missions are always clear despite the complexities of the situations.
A fun, fast read with some history and feminist themes thrown in.Pub Date: May 8, 2017
ISBN: 978-0-692-46051-1
Page Count: 392
Publisher: Raggedy Moon Books
Review Posted Online: Nov. 24, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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