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I STILL DREAM ABOUT YOU

What could have been an edgy excursion into the individual toll of the Recession on real women devolves into fluff.

Life keeps interrupting a former beauty queen’s planned suicide in Flagg’s latest (Can’t Wait to Get to Heaven, 2006, etc.) take on Southern womanhood.

Maggie Fortenberry, Miss Alabama circa the late 1960s, is not exactly depressed, but at age 60, toiling as a Birmingham Realtor as the housing bubble implodes, she simply finds life too burdensome. So she’s planned a graceful exit, donating her sparse but tasteful wardrobe, paying her bills, leaving the balance of her meager bank account to charity, etc. She’s set her suicide for late October 2008, when Brenda, her best friend and colleague at Red Mountain Realty, convinces her she must see the Whirling Dervishes during their one-night-only November appearance in Birmingham. Maggie reschedules her date with doom, but pretexts for further postponements pop up. Crestview, a mansion originally owned by Scottish industrialist and Birmingham city father Edward Crocker, is coming on the market, and Maggie suspends genteel despair long enough to snatch the listing from Red Mountain’s archrival in realty, Babs Bingington, the Beast of Birmingham. Not only did Babs indirectly cause the death of Red Mountain’s revered founder, the miniscule but irrepressible Hazel, but thanks to Babs’ scorched-earth sales tactics, Birmingham’s historic homes are being razed and replaced by shoddily constructed, vulgar monstrosities. Once Crestview is safely sold, an auto accident and grateful goat farmers present further impediments to self-destruction. Not to mention the skeleton, dressed in full Scots regalia, discovered in Crestview’s attic. Or Brenda’s compulsive overeating, which lands her in the hospital. The early sections of the novel evoke sympathy for Maggie as she rifles her catalog of regrets: her sabotaged chances at the Miss America crown, failed love affairs, thwarted dreams of success in the Big Apple and general incompetence at everything except beauty—now rapidly fading. Although the plot may justify tarring its villain or deifying its savior too broadly, there is no excuse for the Hazel-ex-machina ending.

What could have been an edgy excursion into the individual toll of the Recession on real women devolves into fluff. 

Pub Date: Nov. 9, 2010

ISBN: 978-1-4000-6593-6

Page Count: 336

Publisher: Random House

Review Posted Online: Sept. 27, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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