A beautiful, compelling romance celebrating second chances and forgiveness.
A destination wedding might be just the ticket to reuniting a woman with her ex.
Jana Suleiman was always known as a good girl who followed the rules—until five years ago, when a brief but intense fling with Anil Malek led to a broken heart and life as a single mother. Now, she and Anil both live in Toronto and successfully co-parent their daughter, Imani, but Jana is careful to keep an emotional distance from Anil. He’s a wonderful father to their daughter, but he’s still the man who broke her heart. Jana and her extended family, including her mother and daughter, are traveling to Tanzania for a destination wedding in the Serengeti National Park. Once they arrive, she is appalled to discover that Anil will also be a member of the wedding party. Jana’s plans for a relaxing two-week vacation are ruined by Anil’s presence. Suddenly, her private life is once again under intense scrutiny from her colleagues, friends, and extended family on the trip. Jana is a character who is both fierce and tender, determined to do right by herself and her daughter. With the help of the other bridesmaids, she makes a “letting loose” list to help her escape the rut she’s in, but everything keeps bringing her back to Anil. The challenges facing the couple are complex. Jana is righteously angry at the way society has punished her for being a single mother while simultaneously rewarding Anil for being an attentive father. Anil has steadfastly tried to support Jana and Imani, but he doesn’t know how to earn forgiveness for the mistakes of the past. Heron’s novel is an exemplar of the “second chance” romance trope, with Jana and Anil working through layers of misunderstanding before they can trust each other again.
A beautiful, compelling romance celebrating second chances and forgiveness.Pub Date: May 2, 2023
ISBN: 9781538725450
Page Count: 352
Publisher: Forever
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
PERSPECTIVES
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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