JUST PLAYING HOUSE

A stylist is hired to work with an up-and-coming actor she knew in high school.

Marley Kamal works as a consultant at a high-end Toronto department store. Her dream job is to become a personal shopper, a more prestigious position with access to exclusive clients. When Marley is called into her boss’ office and told she must sign a nondisclosure agreement, she realizes she’s landed her first celebrity. Marley is shocked to discover the client is none other than Nikhil Shamdasani, a high school friend who took her to prom and ghosted her after they had sex. Nikhil has been cast as a superhero, but the studio doesn’t seem to fully back him. He suspects they’re waiting to see if white fans will balk at a Desi actor being cast in the role, and his awkward press conferences and strange personal style aren’t helping his cause. After disastrous results with other stylists, he insists the studio hire Marley, remembering her as unflappable and calmly competent. Marley decides to capitalize on this opportunity, even though it’s happening at the absolute worst time. In two weeks, she’ll be having a double mastectomy as a preventative measure, since she’s a carrier of the BRCA gene. The studio wants Marley to keep styling Nikhil, but she’s kept the details of her surgery private. The old friends strike a deal: Nikhil will move in and help Marley with her recovery and she can style him from home. As always, Heron’s characters are lovingly drawn and richly layered. Marley and Nikhil learn to care for each other, sharing their sadness over familial struggles and their worries about the future—her health and his career. The novel explores whether the sweet, gentle romance they create while alone together can withstand the pressure and media speculation of the real world.

This slow, sweet romance explores the boundary between privacy and publicity.