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HARLEM NOCTURNE

WOMEN ARTISTS AND PROGRESSIVE POLITICS DURING WORLD WAR II

An engaging biography of three remarkable women who taught art to reflect life.

Griffin (English/Columbia Univ.; If You Can’t Be Free, Be a Mystery: In Search of Billie Holiday, 2001) explores the brief period of opportunity in the 1940s when the remarkable talents of Pearl Primus, Ann Petry and Mary Lou Williams changed art and society.

Unlike the Jazz Age and the Harlem Renaissance, when people with talent flocked to Harlem, the war years fostered homegrown talent and enabled artists the freedom to mix their art with politics. The music, dance and writing of these three women, mixed with their politics, helped to usher in the modern civil rights movement. Four factors laid the foundation for this grand awakening: World War II, the second great migration from the South, the Popular Front in politics and culture, and the Double V Campaign. With Double V (Victory at Home and Abroad), black Americans insisted on their social and civil rights while fighting for their country overseas. The author meticulously shows how each woman used and expanded her art to increase awareness of a society that had been ignored and abused too long. Their extraordinary talents ensured that she would find abundant information about each, and Griffin effortlessly relates each story. All three women were associated with communist activities, but only Primus was an actual party member. In a period when class differences were finally being threatened, it was the communists who attracted the downtrodden and taught them how to affect politics with the tools at their disposal. Petry, Primus and Williams exposed the limits of the democracy of their time while unceasingly clinging to the firm belief that these wrongs could be righted.

An engaging biography of three remarkable women who taught art to reflect life.

Pub Date: Sept. 10, 2013

ISBN: 978-0-465-01875-8

Page Count: 256

Publisher: Basic Civitas

Review Posted Online: June 16, 2013

Kirkus Reviews Issue: July 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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