A Black feminist perspective on the arts, politics, and race.
Griffin, a 2021 Guggenheim fellow and professor of African American literature at Columbia, gathers essays, written over the past 30 years, that cohere to reveal her evolution as an insightful cultural critic and historian. The book’s title alludes to Alice Walker’s In Search of Our Mother’s Gardens: Womanist Prose, published in 1983, which Griffin read as a college student and which, she writes, “helped me to identify my intellectual calling” and inspired her appreciation of the essay as a literary form. Also deeply influential was Toni Morrison, whose works shaped her understanding “of history, narrative, power, domination, and language.” From Morrison’s work, Griffin came to understand that “mobility and migration were the dominant tropes of Black life in the modern world.” Among many essays on music, Griffin considers Miles Davis, Billie Holiday, and three performers of the 1970s—Minnie Riperton, Syreeta Wright, and Deniece Williams—whose “ethereal, introspective, angelic voices” pointed to “a sense of healing and possibility.” Griffin also examines the cultural significance of Black women singers, such as Marian Anderson and Aretha Franklin, who have performed before audiences on momentous occasions—presidential inaugurations, the aftermath of disasters—“when the nation is trying to present an image of itself to itself and to the world.” Beyoncé falls into that category, singing the Etta James classic “At Last” at a ball celebrating the election of Barack Obama. That performance, and the election itself, inspires Griffin’s perceptive analysis of the relationship of Michelle Obama and Beyoncé to America’s racial history. Other essays include reflections on teaching online during the pandemic; the consequences of book banning; Hurricane Katrina, which exacerbated the “instability, insecurity, and disruption” that have blighted Black history; and the way difference has been “inscribed on the bodies of Black women.”
Scholarship and memoir meld in a stimulating collection.