A worthy but at times stilted portrait of the lasting effects of job losses on factory workers.
A Pulitzer Prize winner’s first book tallies the social, emotional, and financial costs of a company’s decision to shut down an Indiana factory.
Stockman shows the shattering effects of globalization on the unskilled workers sometimes called “the precariat” for the precariousness of their jobs. In this immersive account, she follows three former employees of the Rexnord bearings plant in Indianapolis after the company’s 2016 announcement that it was moving its operations to Mexico and Texas. Each worker’s life was upended by the shutdown and, the author argues in mostly persuasive fashion, represents a larger cause. Shannon Mulcahy, one of the first female steelworkers at the plant, embodies the women’s movement; Wally Hall, a descendant of slaves, the struggle for civil rights; and John Feltner, a vice president of United Steelworkers Local 1999, organized labor. Stockman examines the steep price the workers paid for the closure, which included having to train their Mexican replacements in order to get a severance package. Behind their stories lay the stark realities of the North American Free Trade Agreement, which has led to a loss of 700,000 U.S. factory jobs, according to the Economic Policy Institute, and of Trump’s failed promise to bring jobs back. The author notes that her research altered her view of free trade: “Supporters of free trade say it generates enough wealth to compensate losers. But we don’t.” Throughout, Stockman “re-created” scenes in ways some readers may sometimes find confusing or cringeworthy, as when she writes that one woman had “skin the color of a freshly unwrapped Hershey’s kiss” and another “had silky skin the color of salted caramel gelato.” She appears to be trying to capture a subject’s point of view, but she doesn’t enclose them in quotation marks, and it’s hard to be sure whose thoughts they reflect. The stylistic awkwardness aside, this book gives a valuable account of the many things work means to Americans.
A worthy but at times stilted portrait of the lasting effects of job losses on factory workers.Pub Date: Oct. 12, 2021
ISBN: 978-1-984801-15-9
Page Count: 432
Publisher: Random House
Review Posted Online: Sept. 20, 2021
Kirkus Reviews Issue: Oct. 15, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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