by Federico Axat translated by David Frye ‧ RELEASE DATE: Dec. 13, 2016
Fans of alternative reality tales will probably stay the course; other readers may not.
Carrying out a canny plan to kill two victims plunges a man into a world in which events and characters, including his own, change like visions in a haunted kaleidoscope.
Whatever may be said for or against Argentinian author Axat’s American debut, most will agree that his thriller’s opening sentence is a grabber that will keep readers following along, at least for a while: “Ted McKay was about to put a bullet through his brain when the doorbell rang.” Delaying his big finish, McKay greets one Justin Lynch. A total stranger to McKay, Lynch claims he knows what McKay was about to do with the 9 mm gun in his study. Lynch convinces McKay to delay shooting himself in order to kill two men in circumstances that justify homicide. The first proposed victim is Edward Blaine, a contemptible man who killed his girlfriend but went free from lack of evidence: McKay will be righting a sure wrong. And like McKay, the second victim, a man named Wendell, is contemplating taking his own life. If McKay shoots him, he’ll spare the victim’s family the trauma of a beloved’s suicide. Believing he suffers an inoperable tumor and therefore has little to lose, McKay takes the assignments, which play out in tightly written, suspenseful scenes. Alas, there are loose ends to the plans. First, evidence confronts McKay that suggests his wife and Wendell were having an affair. Then McKay is abducted to what appears to be a Boston mental hospital. Here he meets people he knows, including a therapist he had consulted to deal with his imminent demise. Pirandello-an twists and turns follow. McKay, in the reality of the hospital, learns he may not have really killed Wendell. McKay may actually be Wendell. And McKay may not really have a tumor. A demented possum, meanwhile, stalks McKay. As some characters launch into verbose, windy explanations of what’s going on, the narrative slows, and some plot turns become more fatiguing than breathtaking. The conclusion is nevertheless satisfying and provocative.
Fans of alternative reality tales will probably stay the course; other readers may not.Pub Date: Dec. 13, 2016
ISBN: 978-0-316-35421-9
Page Count: 416
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Sept. 19, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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