by Félix J. Palma ‧ RELEASE DATE: June 30, 2015
And never mind the loose ends: there’s another volume on the way, and we look forward to it.
What lies on the other side of the beyond? Does The Shadow know? Certainly the Invisible Man does, and therein lies a knot in Palma’s (The Map of the Sky, 2012, etc.) newest delightful puzzler.
Said unseeable person comes into the picture courtesy of H.G. Wells, with whom Palma’s tale opens. Wells is an unflappable model of Victorian Englishness, convinced that “his was the most significant generation to have walked the Earth” inasmuch as—among other things—it possessed the seeds of the knowledge required to end life on the planet. Rational and resolute, Wells must grapple with the unfolding reality that there’s a whole irrational, surreal, irresolute world out there, some of it of his own creation. Palma is happy, it seems, with the idea that writers are pretty significant people at that: in the panoply of heroes he enlists to the cause of humankind’s salvation are Arthur Conan Doyle and Lewis Carroll. Then there’s fearless vampire/werewolf/villain hunter Cornelius Clayton, never too busy to appreciate “proud breasts” and baronial manses and for whom things can never get quite weird enough, and his own army of allies, confidants, and informants, including a friendly proto-shrink who helpfully says, “If I devoted myself to treating stupid people I would have a full practice, and I would be a wealthy man.” Palma’s principal players are anything but stupid, but they do have a way of finding themselves in supernatural jams. His shaggy doggish, steampunk-y tale, with many moving parts, threatens to spin off disconnectedly at any moment, but somehow he keeps things straight (and straight-faced, though he is often very dryly funny); in the end it all coheres, however improbable the story he conjures. Though sometimes talky and sometimes didactic (“But more importantly, he was afraid that if he continued writing Sherlock Holmes adventures, his readers would identify him with what he considered not his best writing”), Palma’s yarn is altogether a satisfying, thoroughly entertaining creature feature.
And never mind the loose ends: there’s another volume on the way, and we look forward to it.Pub Date: June 30, 2015
ISBN: 978-1-4516-8818-4
Page Count: 608
Publisher: Atria
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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BOOK REVIEW
by Félix J. Palma ; translated by Nick Caistor & Lorenza Garcia
BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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