A spiritual autobiography in the form of a novelist's memoir about losing his lover to AIDS. What can you say about a book that makes you cry on page 3? That it does so again on page 4 complicates the reviewer's job further. Nevertheless, this is not a tearjerker: Johnson's (Scissors, Paper, Rock, 1993, etc.) memoir is a moving expansion of the genre. The last of nine children in a devoutly Catholic rural Kentucky family, Johnson was initially the pursued and not the pursuer in the relationship he memorializes here. Larry Rose's background—San Francisco high school English teacher, the only child of German-Jewish Holocaust survivors—could scarcely have been more dissimilar. Johnson resists entanglement: Larry is HIV- positive, and he legitimately fears having his life taken over by responsibility for Larry's care once he develops AIDS. He also fears the pain of becoming attached to someone he will lose. What he discovers is that being in love with Larry transforms him. As Johnson writes in an extraordinary passage about ministering to Larry on a daring trip to France just days before the invalid's death: ``I understood the shallowness of my fears that I might abandon Larry once he grew sick. Now I only wanted to be with him and to care for him, for in caring for him I was caring for myself. I discovered that I loved even his illness and his dying . . . because they were a part of him; there was no having him without these.'' The labors arising from love, Johnson learns, are not labors. We think of memoirs as retrospective narratives of long lives. Where AIDS is involved, the time frame is very different, the intention more urgent. This profoundly moving, painfully honest book is a remarkable testament to a short life and the enduring love that emerged from it. It deserves the widest possible audience. (Author tour)
Pub Date: May 1, 1996
ISBN: 0-684-81417-X
Page Count: 240
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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